Own Yourself: How to Protect Your Identity in the Age of AI Replicas

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Own Yourself: How to Protect Your Identity in the Age of AI Replicas

“Own yourself.” That is the advice Matthew McConaughey recently gave to actors in a conversation with Timothée Chalamet about the rise of artificial intelligence. His message was direct: protect your name, your image, your likeness, and your voice before someone else figures out how to use them without asking. Because in 2026, that conversation is no longer just for Hollywood. It is for founders, executives, creators, and any professional whose identity carries commercial value.

In Episode 54 of Letters of Intent, Pankaj Raval and Sahil Chaudry of Carbon Law Group break down the legal reality behind McConaughey’s advice. They explore whether you can trademark your voice, how state Right of Publicity laws protect you when copyright falls short, what contract red flags to watch for in AI licensing deals, and why the idea of an “Automated CEO” is far more complicated than it sounds.

Here is what every business owner needs to understand right now.

Can You Actually Trademark Your Voice?

The short answer is yes, under the right conditions. The longer answer involves understanding what a trademark actually does.

A trademark is a source identifier. Its entire job is to tell consumers where a product or service comes from. When you hear the THX sound at a movie theater, you immediately know what it represents. That sound is a registered trademark. The same logic applies to voices.

For a voice to qualify as a trademark, it must meet two requirements. First, it must be distinctive. The voice needs to be recognizable enough that consumers associate it with a specific person or brand. Second, it must be used in commerce. The voice has to play an active role in promoting or selling goods or services.

Think about Morgan Freeman. His voice is immediately recognizable. Audiences associate it with a specific tone, credibility, and warmth. He uses that voice commercially in narration, advertising, and film. That combination of distinctiveness and commercial use creates a strong argument for trademark protection.

Matthew McConaughey makes an even more obvious case. Hear the words “all right, all right, all right” and you instantly know who is speaking. That level of recognition is exactly what trademark law is designed to protect.

The legal landscape is still evolving. Courts have sometimes limited voice protection, but landmark cases like Bette Midler’s lawsuit over the unauthorized use of her voice have opened the door. As AI makes it easier than ever to replicate voices, expect courts to take a harder look at extending trademark protections in this space.

For business owners and professionals who rely on their voice, personality, or public identity to generate revenue, now is the time to consult a business attorney about what protections are available. At Carbon Law Group, we help clients understand their options across trademark, copyright, and Right of Publicity law.

The Right of Publicity: Your Most Underused Protection

Even when trademark and copyright claims are hard to establish, there is another layer of protection that many people overlook: the Right of Publicity.

The Right of Publicity is a legal doctrine that protects individuals from having their name, image, likeness, or voice commercially exploited without their consent. Unlike federal trademark law, the Right of Publicity is primarily a state law claim. That means the strength of your protection depends on where you live and work.

California has one of the strongest Right of Publicity statutes in the country. Under California law, a person has the right to control how their identity is used for commercial purposes. That protection extends beyond celebrities. It applies to anyone whose identity carries commercial value.

Here is why this matters in the age of AI. If a company trains an AI model on your voice recordings, your interviews, or your video content without your permission and then uses that AI to generate commercial content, California’s Right of Publicity law gives you a direct legal claim. You do not have to prove trademark infringement or copyright ownership. You simply have to demonstrate that your identity was used commercially without your consent.

For small business owners, this is particularly relevant. Founders and executives often build personal brands alongside their companies. They speak at events, record podcasts, appear in marketing videos, and create a public persona that directly drives business. That persona has commercial value. Protecting it proactively is not optional. It is a strategic business decision.

Working with an attorney who understands both state Right of Publicity law and the evolving landscape of AI regulation puts you in a far stronger position than waiting until your likeness appears somewhere you never authorized.

AI Licensing Contracts: Three Red Flags You Cannot Afford to Miss

Let us say a company approaches you with an exciting offer. They want to train an AI model using your voice, your image, or your likeness as part of their marketing platform. The money sounds good. The opportunity seems interesting. Before you sign anything, there are three critical contract issues you need to resolve.

The Termination Problem

Many AI licensing contracts contain a provision that grants the company a license to use your likeness for the duration of the agreement. That sounds reasonable. However, the problem appears in the fine print. When you terminate the contract, your right to receive payments ends. But the company’s license to use the AI model they built from your likeness may continue.

That means you could walk away from the deal, stop receiving compensation, and still find your digital replica being used in campaigns you never approved. Make sure your contract explicitly states that the license terminates when the agreement ends. No exceptions.

The Usage Rights Problem

Modeling and talent contracts have long recognized the importance of usage restrictions. You can license your image for e-commerce use without authorizing its use in editorial spreads. You can approve a campaign in one geographic market while excluding others.

The same principles apply to AI licensing. Specify exactly what your image or voice can promote. If you are uncomfortable having your likeness associated with gambling, alcohol, or certain political campaigns, those restrictions must be in writing. Your attorney should negotiate clear usage limits before you sign, because a vague contract defaults in the company’s favor.

The Exclusivity Problem

Buried deep in many AI licensing agreements is an exclusivity clause. Once you license your likeness to one company, that clause may prevent you from licensing it to anyone else for the duration of the agreement. For a major celebrity, one lucrative exclusive deal might justify that restriction. For most professionals and small business owners, a single deal is unlikely to cover all future income opportunities.

Before you sign, make sure you understand exactly what exclusivity means in that specific contract. How long does it last? Does it cover all industries or only specific ones? Can you continue working with direct competitors? These questions need clear answers in writing, not verbal assurances.

At Carbon Law Group, we review and negotiate AI licensing agreements for clients across Los Angeles and Southern California. We know where the traps are and how to remove them before they become problems.

The Automated CEO: A Compelling Idea That Falls Apart in Practice

One of the more provocative trends in the AI space right now is the concept of the Automated CEO. The idea is straightforward. You clone an executive’s voice, appearance, and communication style. You train an AI model on their past decisions, public statements, and management philosophy. Then you deploy that AI to handle internal communications, answer employee questions, and even make certain operational decisions.

Mark Zuckerberg’s team has reportedly explored this concept. The vision is efficiency at scale. Why should a CEO spend hours answering the same questions from employees when an AI trained on their knowledge base can handle those interactions automatically?

Here is the problem. Employees are not looking for a knowledge base. They are looking for a leader.

Leadership is not a data set. It is accumulated over years of lived experience, unexpected challenges, personal relationships, and situational judgment that cannot be reduced to training data. A 43-year-old founder brings decades of context to every decision, including experiences that never made it into any document, meeting recording, or public statement. An AI model trained on publicly available information will miss most of that.

Consider a creative director deciding whether to greenlight a major campaign. That decision might hinge on the energy in a room, a gut feeling about a particular collaborator, or a lesson learned from a failure five years ago that never appeared in any official report. An AI clone cannot replicate that process.

There is also a trust problem. Employees follow leaders because they believe those leaders are genuinely present and accountable. If an executive replaces themselves with an AI avatar and asks their team to engage with it instead, the message being sent is clear: your questions are not worth my time. That breeds resentment, not engagement.

AI has genuine value in business operations. It speeds up first drafts, processes large datasets, handles repetitive tasks, and supports decision-making with structured information. But leadership requires human context, human agency, and human accountability. An AI clone offers none of those things.

The Automated CEO is a fascinating experiment. For most companies, it will be a cautionary tale.

What This Means for Your Business Right Now

You do not need to be a Hollywood actor or a Silicon Valley executive for any of this to matter. If you run a business, build a personal brand, speak publicly, create content, or simply have a distinctive professional identity, the questions raised by AI replicas apply directly to you.

The legal landscape is changing quickly. New California laws already require written consent before a company can use your voice or likeness to train an AI model. Federal legislation is moving in a similar direction. Courts are beginning to hear Right of Publicity claims in AI contexts. The window to get ahead of these issues is open right now, but it will not stay open indefinitely.

Here is what you should be doing today. Review any contracts you have already signed that involve your name, image, or likeness. Look for perpetual license language, buried exclusivity clauses, and vague usage rights. If you find any of those, get legal advice before the contract renews or expands.

If you are entering a new AI licensing deal, do not sign anything without an attorney reviewing it first. The compensation may look attractive, but the rights you give up could be worth far more in the long run.

If you want to proactively protect your voice or identity, talk to a trademark attorney about whether you meet the distinctiveness and commercial use requirements for a voice trademark. Explore whether a formal Right of Publicity registration or licensing structure makes sense for your situation.

At Carbon Law Group, we work with founders, creators, executives, and small business owners across Los Angeles to help them understand and protect their most valuable assets. In 2026, your identity is one of the most important ones.

Schedule a consultation with our team at carbonlg.com. We will review your situation, explain your options in plain language, and help you build the legal foundation you need. McConaughey was right. Own yourself. In the world of AI, people who control their own identity will always have the leverage. The ones who wait will find out too late that someone else already claimed it. Do not be the cautionary tale. Be the business owner who saw it coming and prepared accordingly. Contact Carbon Law Group today.

Own Yourself: How to Protect Your Identity in the Age of AI Replicas

Sahil (00:00)
It’s already here. Don’t deny it. It’s not enough. It may be for you, but it’s not going to be enough to sit on the sidelines and make the moral plea, the moral plea that no, this is wrong. It’s not gonna last. There’s too much money to be made and it’s too productive. It’s tear. All right? So I say, get your own yourself.

likeness, etc. Trade market, whatever you got to So you did that. Yeah. Get own own yourself. So when and if when it comes, not if it comes, no one can steal you, but they’re have to come to you to go, can I or they’re gonna be in breach and you’ll have the chance to be your own agency and go, yeah, for this amount or no. Okay, it’s coming. Is there gonna be another category or is it gonna infiltrate our categories? Damn sure gonna infiltrate our category.

I think it’ll end up. it become another category? Will we be in five years having films? The best AI film, the best AI actor? Maybe I think it might be that might be the thing is that becomes another category. I’m not sure it’s going to be in front of us in ways that we don’t even see it. It’s going to get so good. We’re not going to know the difference. That’s one of the big questions. What we’re doing right now is the question of reality. That’s it’s more hazy than ever.

a very exciting way, I think, but also a scary way.

Pankaj Raval (01:17)
Welcome back to Letters of Intent, podcast for deal makers and risk takers. I am your co-host Pankaj Ravel and I’m joined today by my co-host Sahil Chaudry. Sahil, what are we listening to here? going on? And tell us a little bit more about the context of this clip.

Sahil (01:30)
Yeah, this is really interesting. McConaughey had a conversation with Timothy Chalamet and he weighed in on the impact of AI and how it’s affecting Hollywood. And I think something he touched on is something we deal with regularly, which are

licensing agreements, name image likeness issues, intellectual property, contract issues. I thought that was really interesting when he said, your voice. And I was actually going to ask, can you really trademark your voice? Is that something you’re capable of trademarking?

Pankaj Raval (02:00)
Yeah, it’s a it can be difficult. I know courts have said that your protection over rights over your voice somewhat limited. But I think that could think that is ripe for challenge in the world of That’s the thing about the law. It is changing. It is always dynamic. And it just takes another one case to change your We’ve seen that over and over again.

over the years been settled law, but now there’s new technology, the world changes and now the law needs to change. So I’d see that as far as protecting your voice, it can be difficult, but the thing to have a trademark, need to understand that there’s really two main requirements. The one is that it has to be used in commerce, and the second thing is it has to be distinctive.

Is there any commercial use for your voice? And a lot of times people who are public personalities do have commercial uses, right? You think about Morgan Freeman and his distinctive voice. You think about some of commentators who have a distinctive voice. You hear them on the radio and you know who’s talking. they’re distinctive. You attribute them to a certain source and then they’re also used commercially. So that’s a requirement for a trademark. So who’s to say that you, today,

voices shouldn’t be able to get trademarked. And a long history of sounds being trademarked. You think about THX and that sound you hear at the movie theater. So there’s many, many different sounds that can be trademarked. So I think we’re in a unique position where we may see trademarks in the future.

Sahil (03:16)
Matthew McConaughey has got a great argument. mean, you hear the words, all right, all right, all right, and you know who it is, which is pretty remarkable. So I think, yeah, he’s got a great argument here. But he brings this up. This is so interesting. He’s talking to aspiring actors about how to deal with AI. Is this good advice?

Pankaj Raval (03:22)
Yeah, exactly. Yeah.

You know it is, I think it is. You I think you have to be, you have to kind of go on the cannot just sit passively as the world changes around you. I think he’s absolutely right. And you can’t also say, what was me? Which I think he makes a point there. You know, you can’t say, dang it, this sucks, it’s ruin the profession, ruin the jobs. It’s gonna change it, And that’s life. life is dynamic. Life is always changing.

And I think you have to be ready for it, right? Lawyers, it’s happening to us. It’s happened to lot of professional service providers that AI is changing and you can either sit back and cry about it or you could take proactive steps. And I think as an actor, you got to also then look at, where’s your value? How is your value going to change in the future? And what can you do to protect that today?

Sahil (04:17)
So, okay, he touches on a few issues that I think are really interesting. He says, you need to own yourself, like own you so that when someone comes and negotiates and they wanna use you, your name, image, likeness, you can say, well, okay, pay me this amount and you can use it in this way.

Can you talk a little bit about how possible that is? Like to what degree can you trademark copyright you? In what ways can you protect the digital version of you?

Pankaj Raval (04:47)
it’s a really interesting question that I think is going to be dealt with in the courts for a while. But there’s been also cases in the past where Bette Midler filed a case a while the use of her voice. these are distinctive elements of people that have commercial viability and can be used commercially. fundamentally, a trademark is a source identifier.

one great way to identify someone is by their voice, right? Like we each have our own distinct, unique voices. So who’s to say that those should not be protected? It’s also important to mention that like, you have people looking to protect themselves and protect what they’ve created. have to look at the book, you have to look at trademark, you have look at copyright, but also it looks like courts have been more open to hearing the argument of right.

to publicity and also sometimes copyright as ways to protect your voice and likeness. If your trademark claim is not as strong or your copyright claim is not as their courts have consistently held that based on your right to publicity, and right to publicity is a state law claim, not always a federal law claim, so you have to look at it state by state, but like in California, there’s a very strong right to then you will have greater rights to protect your voice and likeness

and prevent the exploitation without your approval.

Sahil (05:54)
Okay, let’s say I’m an actor in LA and my manager calls me up and says, hey, I’ve got an audition for you. It’s an AI company that wants to use your name image likeness as part of their marketing materials. What are the rights I should have locked down, copyright, trademark, right to publicity, to be able to negotiate for some kind of limited scope and in exchange for my value?

Pankaj Raval (06:17)
Yeah, filing a trademark. It depends on the kind of how famous you are and whether you’re going to get that trademark or not. Fame certainly does help when it comes to There’s also your right to publicity that you could argue. And some of that’s going to be contractual, too. So you’ve got to make sure that you’re reviewing the contract or having someone capable and knowledgeable review the contract before you sign anything, because oftentimes there is a requirement are going to give

a company your right to use your voice or name and likeness to reproduce it using AI, it has to be in writing. laws in California that have been put in place. So now you have to see, giving these companies that right? they have the right replicate and duplicate your voice using AI? And you have to really think about incentives here, right? I think that changes the compensation, it whether you maybe even want to do that deal in the first place, because if you’re giving up

rights essentially to reproduce your voice and likeness in perpetuity, that’s not a great deal. I think you’re gonna want to charge a lot more for providing, you strike that part out.

Sahil (07:11)
Yeah.

So what we’ve seen, if we were to think about some precedents for this, like in modeling contracts that we’ve negotiated, let’s say you’re shooting for an e-commerce brand. That brand has a time limit for how long they can use your image. Sometimes there are geographic limits. You can use them in certain countries or in certain regions. And then there are usage limits. OK, you can only use this as part of your, for e-commerce, you can’t use this for your editorial lookbook. You can’t then turn around and license

that same image to Vogue magazine. So there are a few things for our audience that we want to highlight, things that you should look out for. If you’re ever presented with one of these AI opportunities contractually, you want to make sure that when you terminate the agreement, the license that you provided to the company also terminates because otherwise you might be terminating your right to receive payments, but they still have your intellectual property that can still run.

The second thing that we want to look out for our usage rights. In what ways can they use your image? For example, do you want your image associated with certain industries? Let’s say maybe you’re uncomfortable with gambling or drinking, but you’re comfortable with the company using your image as it relates to sports. You want to know what is your image going to be placed next to? What are you going to be marketing? ⁓

Pankaj Raval (08:30)
Right.

Sahil (08:31)
And then you also want to talk about exclusivity. A lot of times these contracts will bury exclusivity provisions that, well, once you’ve signed over your image to them, they have the exclusive right to use your image because if you’re endorsing their part of their marketing, they don’t want you to be endorsing their competitors product.

But you, let’s say you’re an actor and you need to keep your hands free to be able to explore new deals and new income, it’s very unlikely, especially if you’re not a major celebrity, that one of these deals is going to be enough to pay you in perpetuity, where you won’t need other deals. So those are a few things contractually I think you need to look out for. And I think Matthew McConaughey’s advice here is spot on. You do need to own your name and likeness rights.

Pankaj Raval (09:04)
Right, exactly.

Sahil (09:14)
You need to understand what those rights are you need to leverage them and you need to negotiate for some kind of value. Do not just give that away. In this era of AI, that is not free. That is what someone is paying for.

Pankaj Raval (09:26)
Right, absolutely, absolutely.

Sahil (09:29)
just Pankaj, from an IP perspective, is there a way to slice and dice the copyrights or trademarks so that someone doesn’t get locked into?

a bundle of rights that they’re giving away to a company to license their rights? I think oftentimes companies try to bury in their provisions that they’re actually trying to buy your name, image, and likeness, opposed to licensing it for a continuous payment. So are there certain things that someone should look out for in terms of language provisions in one of these agreements?

Pankaj Raval (10:00)
Yeah, absolutely. before with a lot of music deals, or even like, 360 deals, companies would, file trademarks on behalf of the artist and own those trademarks, right? Are you giving them that right? Are you giving them right to register IP on your behalf? You have to be really careful and, in terms of like, what are the royalties you’re going to get from this? what are you giving up in these agreements and,

the chance that these companies are gonna ask and take more and more is a lot higher today than ever. So you have to be really vigilant and diligent reviewing contracts, negotiating on your behalf, really advocating for yourself too, be feeling a lot of pressure. Now you have competition from these also means that,

What is your unique special sauce? What’s your unique distinctive appeal that you can still market and say, hey, you know, yes, these AI characters are great and fine, but here’s what I can do. here’s how I’m well known. and still people are not as excited about an AI character as they are about a person. That’s the reality today is that can be a reality in five years. Who knows? But I think it’s about like identifying, what is that unique characteristic that you have?

and then doing whatever you can to protect it and also make sure you’re not giving up those rights with future deals.

Sahil (11:07)
Did you hear about this actress signed to a talent agency? Tilly Norwood.

Pankaj Raval (11:13)
Yeah, I heard about this. She’s an AI actor, right? Yeah. Yeah.

Sahil (11:16)
Yeah, so the first

AI-generated actress to be represented by a talent agency.

Pankaj Raval (11:21)
This is the world we live in today. It’s hard to know. Like, what is AI? Who is AI? Who is not? And the line has become so blurred yeah, you really got to figure out how you can protect yourself as an actor your unique elements. And I think your voice is definitely one of them. Yeah.

Sahil (11:39)
So yeah, there are gonna be AI actors and they’re gonna be competing with real actors. And here’s an element, Pankaj, I find really interesting is up until now, let’s say I wrote a song, I’ve written the song or I’ve written a script.

Pankaj Raval (11:53)
Mm-hmm.

Sahil (11:53)
I’m

copywriting the words that have already been written. The angle we’re dealing with now is the words have not been written yet. Your image and likeness is going to be associated with language that has not yet been created. So that’s a new kind of element. And that’s why the trademark matters because copyright can protect what’s already been created, can’t protect what hasn’t been created.

Pankaj Raval (12:01)
Right.

Great.

Right, right exactly.

Sahil (12:18)
And at least

if you have a trademark, you’re saying, well, look, this is my name, image and likeness that you’re using. This is my trademark way of speaking or acting or talking or looking. The public knows this is me to get too philosophical, but then what is me? Right? Like if, I have been, clipped out my, my, the geometry of my face.

Pankaj Raval (12:35)
Yeah,

Sahil (12:42)
And the, dimensions of my body have been clipped out and now a company wants to use that. What are they using exactly? I mean, they could just make a replica of me. So the me element that you are trying to capture is the trust. If I know Matthew McConaughey is endorsing, let’s say a car. It gives me a reason to like that car.

Pankaj Raval (12:52)
Yeah.

Mm-hmm.

Sahil (13:07)
But if I know that Matthew McConaughey as a person is not actually endorsing that car, but someone just took his avatar and put it next to the car, it’s not gonna have the same impact for me because I like this person. I don’t necessarily like this avatar. I don’t know who is the avatar. why do I care? I think this goes to the heart of why do celebrity endorsements matter?

Pankaj Raval (13:20)
Mm-hmm.

Mm Yeah.

Sahil (13:33)
other thing interesting that’s happening, I know today, Zuckerberg cloned himself and there’s all this talk about automating the CEO role, where you’ll have a CEO automated and that the AI clone is trained with the context of the person and then responds in the CEO’s voice.

Pankaj Raval (13:42)
Mmm.

Sahil (13:52)
uses their mannerisms. I mean, it kind of goes to heart of like, who is you? who is the person? Yeah.

Pankaj Raval (13:54)
Yeah. I mean, it’s

it’s interesting. I just I think it’s I personally think is bullshit. Honestly, think about it like, we’ve both been, this firm, you’ve led your companies. Your employees are going to call bullshit on that, I think pretty quickly. Like if you don’t have the time to show up for your company or your for employees, is it really going to

have the same effect, right? I feel like that’s going to breed more discontent. If you’re like, I don’t have time for this, let’s talk to my AI clone. I mean, yeah, maybe there’s like a chat bot where they can ask questions that way. But I think, I don’t know, personally, if I was with the company, I was like, okay, let me just have a conversation with the AI clone of this person. I don’t know, wouldn’t you could tell that like just like AI, the answers it provides are not really, all that or substantive and a lot of times, yeah, they’ll

you what it knows, right? But it’s hard to know like what exactly it says because like, it goes, I think to the base to the to the foundations of thought and insights and, you know, agency, right? Yeah, yeah. Right? Because like, it becomes really interesting because, what, the AI is going to be trained based on everything.

Sahil (14:47)
agency did you make this decision or did you not make this decision

Pankaj Raval (14:58)
I tell it, right? That’s all it can respond off of. And it’ll make educated guesses based on the information provided and the context it has. But I have 43 years of context and ways that I was raised and random things that I’ve done and people that I’ve met that influenced me in some small or big way that is gonna be very difficult to capture

Sahil (15:00)
Yeah.

Pankaj Raval (15:22)
It goes down also to how we make decisions, right? And not all of us make decisions linearly in a logical way, right? There’s a lot of factors that go into decision-making.

Sahil (15:30)
Yeah, it’s true. let’s say someone is a creative director and they’re making a decision based on feel. Sometimes you make a decision based on the person you’re speaking with and the energy that gets created.

Pankaj Raval (15:42)
Yeah.

Sahil (15:43)
Yeah, there is an X factor here. And I mean, it could just be that we’re biased towards humans, but I do think we use AI pretty regularly, even in our work. And we know that while AI is great when it comes to a first draft, it can make mistakes. And you need a human being, at least now, to proofread. it also kind of limits the universe of context, right? Like this, I mean, we’re limited in our life experience, but still, if you’re trying

Pankaj Raval (15:49)
Mm-hmm.

Right.

Sahil (16:09)
to replicate my responses. You’re going to miss my ability to learn and how I relate to that context. So I think you’re definitely going to get an incomplete leader if you’re relying on CEO.

Pankaj Raval (16:22)
Right, right, right. Yeah. It’s going to be really interesting to see like what happens and how this progresses. you know, I think we’re going to be keeping a close eye on it. And, if people are interested in learning more about, voice marks, right. Publicity, how they should be reviewing contracts. This is stuff that we, we do a lot of, and would love to chat because I think it’s a fascinating subject. And I think, raised a lot of interesting questions that, will be definitely.

coming ahead in the next few years, for sure.

Sahil (16:47)
Definitely

this will not be our last episode on AI. I mean the land the ground is moving beneath our feet Yeah

Pankaj Raval (16:52)
And how it

Absolutely, absolutely. And we live in

California and it’s usually moving, but it’s moving more than ever before. That’s really moving. So, all right. Sahil, this is a great conversation. I think we’re going to have a lot more to say about this in the future. If you’re listening and have any questions, ideas, insights about what’s happening in the world of AI and entertainment and business, we always love to hear from our listeners. Please like, follow, share, comment. And until next

Sahil (16:59)
Yeah, that’s right. Now it’s really moving. Yeah.

Pankaj Raval (17:21)
This is Letters of Intent.

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